Group with a distinctive flavor in the group (awe Shadow) by Mohamed Ibrahim Yacoub

** Rejoice when you read a beautiful poem, and you are in the midst of the names, and the accumulation of collections of poetry cloned, and the similarity of texts. Receiver finds - since the first reading of the group (awe Shadow) by Mohamed Ibrahim is seeking to search for certain privacy even though the confused look on clear texts which are distributed between the two forms vertical and verse poems, even the texts Trochee - if re-distribution of the lines - To the vertical. Although we say that kit is beautiful and was characterized by transparency and individuality.
** The group was founded (the vision and vision) on a romantic atmosphere, and made ​​all the components of the service are subject to this climate of the language of the installation and describe imaginary picture of art and art and so on. But - as opposed to that - did not yield to the awareness of the philosophical
Take the romantic center of the ego has to read the topic. This awareness, which is hostile fact, places the individual is always in conflict with the other, put always bilateral ego and the world, and so he glorifies pain, and enjoy it, I mean (did not read the group the subject through the self), but benefited from the romantic climate, transparency, and purity. The individual - in a dread shadow - Ayaada to reality, but always trying to unite it. I have read through a group self-quality relationship with reality. Perhaps it was one of the causes of excellence. Perhaps the following references to confirm this. 
** The girl group awe shadow vision through (beautiful dream), which is based on the following basis: joy is free, and flow of passion, and a sense of the ability to waive, and autism, the other in spite of beyond, and the transfer of the concept of love from the individual to the total, and participates in the the elements of nature.
** The group has shown that the poetic form whatsoever belonging to Ayaik (poetry), and can not stand in front of contemporary, or Altobeirh them; Although the texts adopted vertical format, but was able to turn concepts into aesthetic values ​​absorbed in aesthetic contexts. It is true that the expression dominated photography in the emotional flow of the group but was able to make up for it, and make the position of the capillary   Autolysin abstract to the case of poetry mixed with the Special Year / ego subject, and must be the recipient of sympathy with them, but more than that to shoot it down over his condition; I mean, he does not have to carry the modeling, and then generalize artistic image related technical specifications, but The group demonstrated that the flow can model the emotional state of poetry Faamamha. The models include:
Stricken grin back the clouds       And lust   Sand   In my bones
Chosen and there are crazy        Lure of    Worthy of    Grams
And the awakening white Thtweini        Verhq   Space    Bamadam
Presence and love songs        Break and leave   Baltiami
And you   I am delighted maps        And flavor of the soil in mausoleums
I love to hold   And Schuchat        And kiss the evening   To   Growing (10)
And also:
I hope very   Dunk Ashq       Almost deserted by visions of his hopes that the
What Udi committed Miswak Moadjaa      The patient tolerated the sin can not stand (16)
** Apart from the above vision of the girl group after the pride of the past blended with the contemporary model. In the city of Riyadh Ataang beautiful present to the past of the East. It enhances the relationship between the glittering present and the past a general state of love Iinathih.
Though the depth of life   Visions        Visions of the bend   Deeper
Riad culture    I'm here         Nrod spaces of the shaved
 Nsjna ethics of the sun         Kausar and Ezz   What Ngdq  
And what the latest   For    We fell in love        This   Is the dilemma   Impasse
Melt if the wind tended mellow         And Nfda   Fantasy knocking (19)
** Did not mention the group to the (ugly), but explicitly disclosed to install it through to the value of (beautiful), Valaqbih is all that distorts the relationship of humanity, and clarity of beautiful moment.
** In spite of the harsh Alainscr which is confirmed by the vision, the other in autism is the one who will restore it to balance. The optimism did not come here in the group free of charge:
Defeated   Defeated   Times         It was fear Rayati
I urge my fault I do not know         To   Where     Atjahati
Houseless   Confused    Regret         The fortunes    The tragedies
When I asked    Ordta         And grandmother    Between Ttiyata
If you broke Hui        For your eyes     Anksaratne (56)
** It is the richest aesthetic diversity of the texts in intertextuality, has appeared in three forms: first is the approach to climate mystic, who supported the transparency in the group:  
Here are equated
All ports and memories
Melt melt the palms
Life and you
The only ray of love glassy
Light shows you the way
Not what dearest beautiful morning, and that dew
And those birds
Those that do not get bored singing
If he wakes up the universe before life
And you life (42)
-   Intertextuality and the second with the text of a contemporary:  
  Love is not a bottle
Or story, or his studio
Love is not a way Tatar features of forced
Love has become a dagger
Vagersh innocent in my chest so I villainous (66)
This Tnas with the words of Nizar Qabbani, in terms of the approach:
Love is not a novel Oriental           Bouktamha marry   Champions
But sailing without the fool           And our access to shops
** Intertextuality and the third with the text is to express the ugly, and that is the verse:
Expect from, Tanqgua, hold out hope of catching up
Peace between the patches almost to end their involvement
They took their women's clothing over the fever
And Tanqgua, and questioned, but some of them and some shame
Does: Delivers high honor
From harm? (79)
** It is confirmed by the group that love in its conception of human remains is always the alternative of all:
 I do not Ketbtk Loving has been used       God knows What Hides you  Paper
 I went away in my mind. So I search  For Term by Take a
So forming the A sense  Abosrna  Between the corners like I  All  Of Ashqgua
What love fresher hopes Matqh That I came Tsakbha lost your way (87)
** We would like to point out that it was finally taken on the high voice of the poet on the oral discourse (poetry), and the restriction patterns of some of the texts do not fit the situation and reckless poetry. Has emerged through the anxiety evident in the structural shape of some of the texts. We think that the poet had unleashed his talent would have been closer to the excellence and uniqueness desired by every poet.
** Awe remains set shadow of Muhammad Yaqub distinctive in its transparency, and in the visions, and uniqueness. Has been able to circulate the form of art, I expressed for her generation, and declared that love is beyond the ego to the other is the way to balance, and the road to bypass and skip, and its start giving. It's a group with a distinctive flavor.

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