Harmony Aluaaan existential and romantic in a group (neighing towards the circle) to Maad bin Abdulrahman Al-Ghamdi

Accounts for the existential climate on the field Vision in a Abdulrahman Al-Ghamdi (neighing about the Department) issued in 1421 in Jeddah. This climate as expressed by one of the heroes of the play flies Bcolth famous Sartre (Hell Is the other). The lack of trust of the other individual in the group, as well as the present era is the Form the basis on which the existential awareness. Perhaps this awareness is the one who was paid to the individual Balling inside the self, and the deep sense of emptiness and loss and tampering And the groans of the legacy Wind in the wilderness immemorial Between the echoes of the Wolves
Left him without complaint, where the clouds do not cry
Sometimes Floats on the death
Tarat and tampering with the numbers
In the face of silence
Asks soils affection Itschy the so-called Balaiab (12)
And deepen the writer of this situation through the formulation of The situation of poetry in the following question:
Where nothing more? , Where is become?
And paths of people become pride in showing off the hypocrisy
Do not try, do not be a solid Vteixr (25)
It was Existential situation before World War I and during rebuffed entirely to the self than Baladm generates a sense of the proponents and creators, but for the group (neighing towards the circle) We note that - in addition to isolation of the individual to the self and the Tqoukah - was trying to get out, but Not to the other to correct the relationship, but to the other with a wider world of which related Welcome far from the community. To prevent from falling Baladmah top of his voice started screaming to confirm ) Denial of others) by saying (do not be a solid Vteixr). The individual is consistent with the same lonely, But he is convinced not to reconcile with contemporary society, which is why the phrase is repeated in the group ) Not reconciliation); because the reconciliation with the party can be trusted. Indeed, contemporary as well asCommunity (and Dmenhma time and place) and placed outside the circle of trust. We want to point out here To the presence of a prominent overlap between existential and romantic atmosphere in the group. Both are declared War on the ground, both believed to be a victim of reality, both of which start from the outside to Self, both of which focus on the pain of self and seeks to exaggerate the incarnation, but the existential Not self-isolate themselves inside out of them, while the romance out of the self to nature. The Self in the group (neighing around the circle) is the stage of crossing to the wider world.They meet with To involve the existential self, and meet with the romance in transit from the self to Space at large. The vision has succeeded in the declaration themselves clearly within the equation.
The Awareness resulting from the relationship between the existential and romantic Almnachan who contributed to the formulation of Aesthetic values ​​that formed the group, and painted nature. This holds true image Technical and artistic illusions, and more specifically here the poetic lexicon of the group, which was consistent vocabulary With this awareness, and supportive of the broad area granted by the Group for the tragic (valleys, Loss, dead, wasteland, restrictions, sand, groans, ways, mirage, a surgeon, wrench, they are, complain, cry, Killing, destruction, tears, wailing, grief, fear, misery, sleep ...). 
It confirms that the path in the Urgency by the group - in the field of vision to see the flip side of - the threeTopics: first search for security and peace away from reality and society   :
  And tomorrow Say goodbye to all robes winter
All pastures and fields
Whinny and groans of women
To sleep in the middle of the sky
Where Safety and security
And chapters of the tragedy of the peace
Permanent reserved for mourning, and a clip where the question
Are you from the water and mud? (19)
The second is the nostalgia, because the source Warm and a means of salvation of the troubled reality:
Coming from the land of Yathrib, seeking that land
Seeks a serious kiss between the atoms of dust
Nothing I have come is the anniversary of the day
  The stars were still a Permanent serious songs Zia
Vamnhona some thing to cry openly Shrine (3)
See also (p. 56) where the argument started crying repeats itself.
And the third issues of concern to the group is The explicit rejection of the reality of the contemporary and protest what is going on, and he calls to retreat To the self:
I shut the door but I did not find mantras
Tent gives warmer
After That Afna Clan
And repudiation of all past and present of our commitment to
Oh, what ingratitude severe (34)  
Is repeated in the same significance (p. 58) in the begging of the romantic atmosphere. And confirms Author summary of the vision the next big question:
Why become a dream in ruins?
  Why bow
Such as the curvature of the place? (13)
In spite of that the writer is still In the research phase of the technical tools, and seems lost in so many times, but he succeeded in the formation of Tnas distinctive relations with both: the historic event, and poetry verse poems, and a popular proverb. Istobeir a message clip to his brother-Zeer Salem before his death (for Atsaleh), which confirms the lack of negligence in taking revenge who killed him:
Whenever my face Ammt About Babylon
A warner came to me and Nazir
Go back to the brushes-appointed
Do not try, do not come to terms, do not Not solid Vteixr (24)
As well as with Shanfari. See (p. 27).
We would like to note here that the poet hope Dunqul borrowed a clip (to Atsaleh), and built a full collection of poems for that and gave her the same title. Was written after the peace which was signed in 1977 between Egypt and Asraúl.
Intertextuality is also saying:
I am crucified In the placebo
Nothing with me   Only words
Words are not like words (29)
Was summoned by Other texts and then dissolves in the climate of the situation that sought to plot. All this gave the texts Diverse and rich, and contributed to the transfer of the abstract concept sometimes to the value reflected.
Perhaps the urgency of the writer Question in the building's technical support helped sometimes see the value is: (26), and (64).
The emptiness and feeling overwhelmed and alienation practiced by the community Individual contributed to the payment of the individual to seek balance through various means, including self- Nature and outer space, including a woman who is also a safe haven and the basis Completion of masculinity also emphasizes the individual group. As much as the themes that a self- The value of the beautiful girl, the woman is the second axis, which helped draw The other end of that value. And the Federation of self (with the individual) women may be beautiful Check, and complete. The women in relation to the achievement of self-love lost in reality. It seems Beautiful more beautiful when put himself firmly in front of (the value of the ugly) embodied in the community And contemporary reality.
At the top of sunset, and the original red
I come, O Virgin, basmati Tzanin And Tmshein Dmotai
Tguetlin my love and curiosity Mraba
That evening
I realized Ayasgerta I remain
I am resisting Bnzertk misery  
I come, O Virgin, newest Btaflta, And hello Bnchuti
And hello and hello paradise chapters (59)
These are also significant also (p. 61 And 67) .
Author has succeeded in expressing himself in the fields of vision and vision, and intertextuality And poetic lexicon, as well as to highlight the value of the tragic and beautiful and ugly, but sometimes - And perhaps because of the psychological pressure of the individual and irritability that accompanies it - was a victim of the rhetorical And direct and declarative as saying:
Nothing in this world is equal to some miss Aasidik
This does not While the earth Alzhih Travel bliss
No mercy when the rain comes at a time Alhger
Does not show what the sea has the ambiguity of
To tears
No longer benefit me cry
As well as Women, the women promised to bear
Dot is my fate and I ml of a small length of stay (70)
Although there is concern in the construction of technical at times, and variation in the method of formulation Aesthetics of some of the texts, as if we were in front of two different schools, the (group neighing about PET) to Abdul Rahman Al-Ghamdi has succeeded in totally adhered to the text of the elements of the vision and the vision, And clearly expressed concerns of his generation, and their problems, and perhaps also their aspirations and hopes that the Formed vision.

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