Starts poetic stylistic in establishing project, the basic principle is that the description lingual is not sufficient to determine the specificity of each text creative, for he was looking for rules aesthetic general organized artistic texts, and this is what made Rafatyr devotes the bulk of his work to determine the technical characteristics of individual in each literary text, and in the this context, insisting on the need to find a "special criteria to distinguish between ordinary facts included in the text, and stylistic Almnavrh facts, that is, those that affect the recipient."
The sources noted that the analysis directly in Aloslobouap literary phenomenon when Rafatyr back to the jurisprudence of Alchuklanyen Aakpson and private perceptions of poetry to the structural concept of displacement, especially when Cohen.
The formalist analysis - by Rafatyr - is the sponsor alone touching literary phenomenon in the text because he cares about what is private in the literary text does not otherwise. It is based on the text itself, and the internal relations of mutual Pepin words, to form over substance, and the impact of literary terms is the start of a series of events, not from where he is an access point for this series, or from where he proceeds to them. Rafatyr agree with Aakpson in many of the principles, especially the possibility of analyzing literary language accurately and objectively by focusing on the language of the message itself, but that is preferable to use Rafatyr job stylistic post allowance poetic when Aakpson, because the function of poetry just Bagtsarha the field of poetry. Although this difference is simple between the Rafatyr makes the job stylistic sole function-oriented message, literary, while moving other functions to external elements related to either the author or the recipient or the reference "content" and others, also play a secondary role in shaping the structure of the text creative.
The most important characteristic stylistic Rafatyr, is predicated on the concept of displacement, is that the theory of the author in determining the procedures stylistic in the text, is not without its disposal in concept, has tried to overcome the main criticism of this theory, the most important of the difficulty of identifying the base or standard exterior that is displacement with him, so I suggested Rafatyr compensation "Al-Qaeda foreign" to "domestic base" be linked to the structure of the text art, all made my style is determined by its relationship to the contextual actions stylistic normal within the structure of the text artwork itself, The context alone will tell the units of language that acts as a functional and let me know in the system of relations on the one hand and the units that serves as an action stylistic in the same system on the other hand. However, any action that is not my style always keeps the status of "front" or "rear", but is subject to various influences exercised by the context. Of course, this context is different from the text to another, there is no one context, but multiple contexts. This explains how each transgression of the rule does not constitute an stylistically, and that all the influence my style is not necessarily a shift from the norm, the picture stylistic could bring a shift in the position, and ordinary words in another place. In light of this perception Rafatyr see that the method is not made up of images and metaphors and rhetorical techniques, but the stylistic structure in a particular text lies in a series of elements that go into the expected relationship conflict with unexpected elements, each style includes a context and its opposite.
And see Rafatyr procedures stylistic closely linked to realize the reader to her, so that the value of each procedure, my style is determined by surprise caused by the receiver, the more was unexpected was the impact at the same receiver deep, Valoslob - by Rafatyr - are not determined only by highlighting some of the elements series of words and carry the reader to pay attention to it so that if overlooked distorted text, and if found to have analyzed the implications of discriminatory private, allowing the report to speak and express method highlights.
Featuring stylistic contribution Rafatyr receiver in the production of the significance or implications of the possible, so that the reader is no longer a party to a consumer of the text, but the creative producer and a vital element in all stages of creation and creativity. For this reason, it is proposed Rafatyr not stems analyst stylistic text directly, but stems from the judgments expressed by the total reading about it because those provisions is a stimuli or responses triggered by stimuli lurk at the heart of the text "Valoslob this sense of constant tension between the relevant receipt and disappointment waiting at the receiver," this is the essence of permanent tension stylistic process, or what was expressed Rafatyr element of surprise, which can Nasal him to return to Aakpson who decided that the stylistic surprise is "generating Allamentzer through expected." The advantage of this idea Rafatyr decided that the value of each action suit my style unit with surprise, the more the property stylistic unexpected was signed in the receiver deep, and the more frequent the same property in the text of a particular stylistic weakened its influential, because the repetition gradually loses its charge influential.
On the other hand believes that the procedure Rafatyr stylistic, which is based on the element of surprise, you need to always context has nothing to do with the idea displacement defended by Cohen, and this context is not related to the common sense of the word, but its significance is determined by the structure of the text within the artwork. Hence, the analyst does not focus on the stylistic elements tagged in the text because they are prominent elements, but give the same attention to elements that are not tagged.
Rafatyr divides into two stylistic context:
1 - context smaller Microcontexte: is determined by the relationship between words tagged and words are not tagged, not any of the parties to effect without the other, and symbolized by the Rafatyr as follows: Context + antagonism Contraste, and represents to him the words of the poet: "This mystery is clear that drops the Stars", where the property stylistic achieved attribution recipe clarity to the mystery, a base component is marked "clarity" to the context in which it is formed of a single word, a "mystery."
2 - the larger context Macrocontexte: In exchange context determines Rafatyr another kind of larger context is achieved through two possibilities:
A - context - the procedure stylistic - context.
This type is characterized by a return to the context after the first procedure, which paved the stylistic him since the beginning and this is achieved form the larger context of the introduction of an element is marked - a strange word for the string of words - in context.
B - context - the action as a stylistic Nqthantlaq to a new context - make my style.
It seems through the distinction between these two contexts that context, the difference between the smaller and larger context is that the first is achieved in a single sentence, Kalchbah and metaphor, for example, the second verifies through the entire text.
Finally, the identification method incompatibility between elements of the anticipated elements is expected in the text of art is, which is the point difference between poetic and stylistic, While searching poetic about the structures common to the various creative texts, insists stylistic that every literary text characteristics and manifestations aesthetic that determine Odbeth which should suffer for the independence of other texts.
التسميات
Concepts of poetry