Meta novel Meta text phenomena of interest, which accounted for the European Monetary novelist and the U.S. and the Arab world as well, where the search was focused on two major aspects: definition Balmitarwayh, forms and structures, and then interpreted as a literary phenomenon with sociological and cultural dimensions. Perhaps this is what explains this interest is the conviction that the study is "in fact, a study of what gives the novel its identity"; specific identity as a historical process of known genera, and its identity as a text Gaúah formations and representations, and a drawing of the different codes of literacy.
Almitarwayh have raised different reactions, where he saw some kind of recklessness and naivete (Nelly Cornu),
The manifestation of the crisis of the novel (Michel Raymond), or death, and expression of the inhuman tendency in the literature (Ortega Aecassi) and an indication of depletion of literature and dry (John Barth).While others saw it as a literary phenomenon Sosiothagafah dimensions, as is the case with Linda HachunLinda Hutcheon Which considers that "Mgaa Abennin itself does not indicate a lack of sensitivity or in the interests of the human dimension to the narrative, nor is it a sign of crisis, or at a bottleneck effect for imagined literary effort is too large in critical thinking, or exaggerated in curiosity about the book , novelists, or loss of faith in their work, or cubism or the movies, or all of the assumptions made by the enemies of literary fantasy. If self-consciousness was a sign of the disintegration of this kind, for the novel, then, began its decline since birth".
The Almitarwayh - according to this perspective, the positive - generally associated with the phenomenon of literary formality as a framework in which crystallized forms of self-awareness which translates a profound shift in the fundamental concepts that underlie the literary phenomenon, especially the ones rights concepts and language. Man became a living experience is the uncertainty in both values and uncertainty Lived convicted of any authority, whether social or disrespectful. Perhaps this interpretation is Alsosiothagafa which tend to another researcher in the field of Almitarwayh where you see that "despite the fact that this procedure is set to include, in what is present in the novel generally [...] the contemporary presence in the novel unique. The historical period in which we live not distinctly uncertain, insecure, and accountable to the same multi-cultural. and reflect a contemporary novel, clearly, this type of dissatisfaction with traditional values and destroy ".
This level of self-awareness expressed by Almitarwayh did not come, in fact, only the culmination of the course of the novel made the history of making it - in Nzerlanda Hchun - like Bnarcis Narcisse . The latter has gone through before he discovered his image in the water, fascinated by its beauty. However, the difference is rather in the fact that change is narcissistic in the novel "a change in degree and not in quality". The novel has always been a conscious path conformance monitoring, but the new, in Almitarwayh, is that this awareness has become a central issue and the choice aesthetically dictated by the conditions Sosiothagafah.
In this context, it is necessary to reconsider the opinion, which says that the disconnect between reality and fiction that made him become the subject of the same literature. The concept of reality has undergone, in Almitarwayh, transferable and not for the absence, and, more precisely, they "operate through Ochklh Problematization The concept of reality more than destroy it", because they do not support the principle of representation, and compensate "Simulation of production" to "simulation process" in the words of Hchun. that these simulations recent help to evoke the reality through the actions aesthetic conscious betting to involve the reader in the construction and activation of Awad Find an equivalent match them, in fact, as is the case in simulation first. Given the importance of this procedure Almitaaroaúa about the fact, it has become an essential component in the definition of Almitarwayh as a term, "was to write novels that take attention, how self-conscious and systemic, regulations, and that as a aimed at accountability relationship between the novel and reality ".
If this is the goal of the process of self-reflection, the subject of meditation is the constituent bases of the novel: the spoken language. Therefore, we find Hchun Tsthoudarhama Mitaroaah in its definition of when you say: "Almitarwayh [...] is the novel for the novel, any novel that incorporates a commentary on identity within the narrative and / or linguistic identity". Perhaps the great importance of this dual action, lies in the new horizon opened by the relationship between the author and the reader and excellent location for each of them inside imaginative novelist. The author no longer deprived of direct involvement in his work and express their views about the route of storytelling and how Cklath language allows invoking the reader and be involved in this process.
And is characterized by development of the reader in the character Almitarwayh paradox because it forced to be compact and well-being alienated in the same time. The integration of involvement in the manufacture of an imagined text, and the deportation Vigely the need to make it aware of the nature of language and to work Altejeala novelist, as well as the distance of separation between him and the object paper in the words of Barth. It seems that Almitarwayh are, from this angle, the creative equivalent of the contemporary theories of monetary consideration received for the reader and stressed the effective role in the creative process.
And to provide a clear picture of these theoretical issues created by Almitarwayh, La Paz to offer a model for Tmzaradtha work of fiction in the new Arab novel is "the moon the stars trying to" Hanna Minh.
Indicate the initial data to be issued by the author his story that it was a job open in terms of affiliation qualitative: "This is a novel and a play together, it is willing to read a novel in his power, it is willing to read a play in cum to do", in addition to This is experimental work: "The experimentation with innovation, not a fad for me to deliberate, but is the goal of trying to diligent".
"Stars try the Moon" novel trial where Hanna Minh imagined past novelist who founded through the twentieth novel appeared before this novel. It's a novel about novels, operates across all procedures Mitanasih oscillating between comment, criticism and theory. The imagined this story on the trial is to judicial obstinacy Alzakrtaoa the main suspect, the spokesman for the author, and composed the board of the court of the characters of novels prior to Hanna, who came to try him on the fate and paths drawn by them in its work, in an atmosphere of conflict drama, "said Stubbornness Alzakrtaoa guard who dragged the court to the dock and shut the iron door of the cage without it:
- I stab the validity of the This Court. Stop this farce. They went away. Went out of you. Let me in my unit.I am not an offender or a criminal. I, who created you from a self-literary, is of cough you be judged by your Creator of the same literary ! ?.
Votes were combined:
- Nhakmk but because you made us, or because you created us in Tazibna Vtmatal ".
In this context, attending the "Demetrio" held accountable for copyright on the torture inflicted on him and the tragedy of his death and of foul and free, and attend the "feedback" Habiba Demetriou to demand the blood of the latter and identify the killer. Indeed, some previous accounts as "Spring and Autumn" conjures up a book in the context of the certificate.
It follows from this that the "trial of the moon the stars" reveals how the novelist makes the Characters and tracks his tales, in the sense that it exposes the mechanisms of workmanship novelist. So, we can say that the novel has become transparent to a large extent. Perhaps this is the transparency that made Hanna Minh do not hesitate to include the novel Mitanasia speech announcing the cash position of the novelist:
"President of the Court:
- Expert critics, readers, because they are critics, argues this is axiomatic, too?
Alzakrtaoa the accused:
- Argue? Yes argue ! Stab also ! Readers is not the critics. Readers read the hearts of innocent, and some critics apply theories poor, and in their heads, often, prejudices and ready !
President of the Court:
- You refuse to critics then? This is contrary to what I was authorized by the newspapers and magazines.
Defendant:
- I do not reject all of the critics. Between me and most of them relations of mutual respect. Ataton who refuse to speak of sugar, and who cut off the text, and those who paint the lines and circles and awaited the vocabulary or the name of structural linguistics, as well as those in whose hearts the disease. I want my readers. Who do not read what I mentioned in the books, but what is under their skin yellow, I have evidence of that, ".
Clear, through this section, that Hanna Minh engage directly in the imaginary novelist to declare his position on the critics. So, it takes advantage of the new situation offered by the creator Almitarwayh to announce the aesthetic choices, and questions himself and his experience, and ponder how they were to receive his earlier work.
التسميات
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